I explore the creation of Eurasianism through fin de siecle poetry and its importance to Russian History.
The inherently illusory nature of the catalogue of Dans le Rêve is suggested by its very name, translated to English as In the Dream. Plate V from the series, The Gambler, has the unique quality of revealing in full detail the setting of the picture. No area of the picture plain is left in obscurity and doubt, merely alluded … Continue reading Redon: “The Gambler,” plate V of “Dans le Rêve”
Félicien Rops, the Belgian printmaker and illustrator, had an undeniable connection to decadence. In particular, that decadence which emphasized decay of the moral order of the relatively young Bourgeoisie in Europe was something Rops reveled in. One must look no further than his broad portfolio of etchings and lithographs which celebrates a remarkably De Sadeian … Continue reading Felicien Rops: “Death at the Ball”
Leon Spilliaert, a largely self-taught artist from Ostend, Belgium, was a life-long Symbolist and an artist fully engaged with his environment. Images of the Ocean, the landscape, and the isolation of his corner of the world are frequent subjects of his work. His art often expresses skepticism towards Industrialization and the idealization of Reason that … Continue reading Leon Spilliaert: “Night”